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Manasalogy Cast And Crew
Cast: Rakesh, Amoolya
Genre: Romance
Scheduled Release Date: Sep 23, 2011
Director: Deepak Urs
Music Director: Anoop Sileen
Censor Rate: U/A
Manasalogy Movie Review
Will someone please tell us why they make Amulya putti mouth such heavy philosophical dialogues in every film? Ratnaja did it in Premism and now, debutant director Deepak Aras has done the same in Manasalogy. We believe giving such philosophical drab to Amulya is almost tantamount to child exploitation and the government should take some immediate action to stop it. Poor Amulya. While heroines twice her age get to do all the naughty things in films of other languages; here she is, lecturing on various aspects of life which could give Acharya Rajneesh a complex. Grow up, babe; or shall we say, please don’t grow up, baby!
The lecture starts from the first frame, where Amulya starts blabbering something about getting wet in the rain. And then, she gets inside a music class. That’s a class without a teacher and she is a lass without a bother. She dishes out another heavy duty philosophical dialogue about getting the permission of parents before falling in love, and then comes the killer punch. After droning so much, she abruptly stops and says, “enough talking, now let’s get back to studies!” But the less we talk about the story, the better it is. Amoolya is music student who is in love with Manas. Both are a match made in heaven as he has some stunningly clichéd poems up his sleeve to answer Amoolya’s boring discourses on life.
Both chat endlessly on their phone, and one day, her lover dies before meeting her (no, incessant talking has nothing do with it). Another dude (Vishwas) tries to impersonate this dead poet and impress Amoolya. In the end Amoolya again lectures about the purity of true love (whatever the heck that means) and a bored Vihswas just walks off (just kidding, he walks off crying, but both expressions on his face almost looked the same) Amoolya-Rakesh But how could Vishwas imitate a dead person whom he hadn’t even heard about? How did he know that he was reciting poems to Amulya? How does Amulya’s father’s buddy (a good actor, by the way) manages to get Viswas’s address and phone number whom he had just met once in a mall? Nobody cares, and you shouldn’t too. Amulya should try and play her age. Often, we use this phrase to the ageing heroes and heroines who try to act young.
But here is a cute young heroine who behaves like a headmistress of a school in her every recent film. Although she has put in weight, she still looks cute when she is silent. But when she starts talking, my nanny looks more cheerful and interesting. Vishwas tries his best but he has a long way to go. Achyuta Rao is the only saving grace of this film and he has completely come out of Anant Nag’s shadow and started giving some memorable performances on his own strength now. After Slum Bala, and Nanu Nanna Kanasu, this is another film where he gets a meaty role and comes up with a commendable performance. It looks odd in the entirety of this film, but his role is really well written and he has carried off well. Couple of tunes from Anoop are good. Listen to them and enjoy; but don’t stretch your luck too much and land up in the theatre!
